The New Yorker:

The new season première goes after Trump as never before—and solves a problem that’s plagued comedians since his first term in office.

By Tyler Foggatt

There’s a legal strategy known as the small-penis rule, wherein an author who writes a character based on a real person can potentially evade a libel suit by giving said character a small penis—the logic being that, in order to sue, a plaintiff would have to tacitly admit that the description of his manhood is accurate. This rule technically does not apply to the latest episode of “South Park,” in which the series’ creators, Trey Parker and Matt Stone, make absolutely no effort to anonymize President Donald Trump, but one wonders if the logic of embarrassment still holds. Trump is portrayed as a deeply insecure leader who literally gets into bed with Satan, his apparent lover. (“I’m not in the mood right now,” the Devil tells him. “Another random bitch commented on my Instagram that you’re on the Epstein list.”) Most notably, the Trump of “South Park” is endowed with a penis so small that Satan says he “can’t even see anything.” If the actual Trump were to retaliate, as he so often does, he’d be playing directly into Parker and Stone’s hands.

“South Park,” amazingly, is in its twenty-seventh season. It’s the second-longest-running animated show on U.S. television, behind “The Simpsons,” and easily the most offensive. Since its première, in 1997, the cartoon—which follows a group of profane elementary schoolers in the town of South Park, Colorado—has managed to piss off nearly every political group, pop-culture fandom, and religious denomination. A Season 12 episode in which two characters dress in yellowface and hold up a P. F. Chang’s also features a scene of Indiana Jones getting raped by George Lucas and Steven Spielberg, a reference to the travesty that was “The Kingdom of the Crystal Skull.” To the extent that the show has any “beliefs,” it’s that all beliefs are asinine, whether they’re held by the left or the right. Environmental groups criticized the series, in 2006, for portraying Al Gore as a delusional figure obsessed with an imagined monster named ManBearPig. The show was banned in China, in 2019, for mocking Chinese censorship, and the creators famously received death threats after depicting the Prophet Muhammad.

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